Robert Scott in On
Viewing Rhetoric as Epistemic discusses the idea that, “clearly the art of
persuasion is granted sufferance only on the grounds that men are not what they
ought to be” (Scott 9), and that man is, “…certain only that he can not be
certain.” (Scott 14). The rhetorical namesake novel Persuasion by Jane Austen tells the story of Anne Elliot who at
nineteen is persuaded by her family and close friends to give up the man she is
engaged to.
Lady Russell, who
was like a mother to Anne, “deprecated the connexion in every light. Such
opposition, as these feelings produced, was more than Anne could combat….She
was persuaded to believe the engagement a wrong thing—indiscrete, improper,
hardly capable of success and not deserving it. Anne certainly knew the truth
of her affection for Captain Wentworth and he certainly knew the truth of his
for her.
Her family,
through pride of rank and wealth, demanded assurance and certainty of current
and future wealth and status for Anne, however, no prior truth was available to
them regarding Captain Wentworth’s family standing and current wealth. Their
analysis was that the match was uncertain of success and that Anne could do
better than to marry a mere Captain Wentworth. They were certain that other
offers equally appealing to Anne from more socially elevated and wealthy men
would follow in due course. They did not follow.
Anne was miserable
after this episode of yielding to persuasion and had as her only comfort the
idea that giving up the engagement was morally right. “The point of view that
holds that man cannot be certain but must act in the face of uncertainty to
create situational truth entails three ethical guidelines: toleration, will,
and responsibility. (Scott 16). “Had she not imagined herself consulting his
good, even more than her own, she could hardly have given him up. The belief of
being prudent, and self-denying principally for his advantage, was her chief consolation, under the misery of
parting ….”
The book begins
eight years later when Anne and Wentworth are thrown together again by
circumstances and begin to uncover the truth about their damaged and wounded
feelings. “…how eloquent, at least, were her wishes on the side of early warm
attachment, and a cheerful confidence in the futurity, against that
over-anxious caution which seems to insult exertion and distrust Providence!--
She had been forced into prudence in her youth, she learned romance as she grew
older –the natural sequel of an unnatural beginning.”
“If one cannot be
certain, however, then one must either withdraw from the conflicts of life or
find some way to act in the face of these conflicts. (Scott 16). Anna and
Wentworth both withdrew and then eight years later found ways to act again in
the face of this conflict. Former persuasions were combatted and defeated. “In human affairs, then, rhetoric, perceived
in the frame herein discussed is a way of knowing; it is epistemic. (Scott 17).
Anne and Captain Wentworth came to analyze and know the truth of their feelings
and no longer allowed the beliefs of others to interfere with the knowledge of
what was right and certain for them.
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